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Concerned for her family’s financial welfare and eager to expand her own horizons, Agnes Grey takes up the position of governess, the only respectable employment for an unmarried woman in the nineteenth century. Unfortunately, Agnes cannot anticipate the hardship, humiliation, and loneliness that await her in the brutish Bloomfield and haughty Murray households. Drawn from Anne Brontë’s own experiences,Agnes Greydepicts the harsh conditions and class snobbery that governesses were often forced to endure. As Barbara A. Suess writes in her Introduction, “Brontë provides a portrait of the governess that is as sympathetic as her fictional indictment of the shallow, selfish moneyed class is biting.”“The one story in English literature in which style, characters and subject are in perfect keeping.” —George MooreBarbara A. Suess, assistant professor of English at William Patterson University, is the co-editor ofNew Approaches to the Literary Art of Anne Brontëand the author ofProgress and Identity in the Plays of W. B. Yeats, 1892–1907.I
THE PARSONAGE
All true histories contain instruction; though, in some, the treasure may be hard to find, and when found, so trivial in quantity that the dry, shrivelled kernel scarcely compensates for the trouble of cracking the nut. Whether this be the case with my history or not, I am hardly competent to judge; I sometimes think it might prove useful to some, and entertaining to others, but the world may judge for itself: shielded by my own obscurity, and by the lapse of years, and a few fictitious names, I do not fear to venture, and will candidly lay before the public what I would not disclose to the most intimate friend.
My father was a clergyman of the north of England, who was deservedly respected by all who knew him, and, in his younger days, lived pretty comfortably on the joint income of a small incumblĂ–
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