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WINNER OF THE 2016 NATIONAL JEWISH BOOK AWARD FOR POETRY
Moss is oceanic: his poems rise, crest, crash, and rise again like waves. His voice echoes the boom of the Old Testament, the fluty trill of Greek mythology, and the gongs of Chinese rituals as he writes about love, nature, war, oppression, and the miracle of language. He addresses the God of the Jews, of the Christians, and of the Muslims with awe and familiarity, and chants to lesser gods of his own invention. In every surprising poem, every song to life, beautiful life, Moss, by turns giddy and sorrowful, expresses a sacred sensuality and an earthy holiness. Or putting it another way: here is a mind operating in open air, unimpeded by fashion or forced thematic focus, profoundly catholic in perspective, at once accessible and erudite, inevitably compelling. All of which is to recommend Moss's ability to participate in and control thoroughly these poems while resisting the impulse to center himself in them. This differentiates his beautiful work from much contemporary breast-beating. Moss is an artist who embraces the possibilities of exultation, appreciation, reconciliation, of extreme tenderness. As such he lays down a commitment to a common, worldly morality toward which all beings gravitate.“Almost Complete Poemsis Moss’s latest and longest attempt to establish his gifts as a poet. They are real, and they reflect his life and talents — his quest for spiritual strength, his Jewish heritage, his eye on Europe and European art, and his 91 years. Moss tries to write a kind of poetry that his American juniors rarely attempt: the first-person record of wisdom, jocular or weighty, gained in a moment or a lifetime, unguarded, openhearted, profuse. To read him at length is to encounter stacks of memories, anecdotes and would-be proverbs... --Stephen Burt,NY Times Book Review
“Magisterial… Almost Complete Poems is magnificent. I&rsqul3+
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