A survey of biblical drama from the whole of medieval Christian Europe.This book presents a detailed survey and analysis of the surviving corpus of biblical drama from all parts of medieval Christian Europe. Over five hundred plays from the tenth to the sixteenth centuries are examined, in a wide-ranging discussion which makes available the full scope of this important part of theatre history. The volume is specially organised to provide a complete overview of major aspects of medieval biblical theatre, including the theatrical community of both audience and players; the major plays and cycles; and the legacy of medieval biblical theatre. The book also includes valuable appendices with information on the liturgical calendar, processions, and the Mass and the Bible.This book presents a detailed survey and analysis of the surviving corpus of biblical drama from all parts of medieval Christian Europe. Over five hundred plays from the tenth to the sixteenth centuries are examined, in a wide-ranging discussion which makes available the full scope of this important part of theatre history. The volume is specially organised to provide a complete overview of major aspects of medieval biblical theatre, including the theatrical community of both audience and players; the major plays and cycles; and the legacy of medieval biblical theatre. The book also includes valuable appendices with information on the liturgical calendar, processions, and the Mass and the Bible.Lynette Muir's study presents a detailed survey and analysis of the surviving corpus of Biblical drama from all parts of medieval Christian Europe. It examines over five hundred plays from the tenth to the sixteenth centuries, in a wide-ranging discussion that makes available the full scope of this important part of theater history. Organized to provide a complete overview of major aspects of medieval Biblical theater, it includes valuable appendices that give information on the liturgical calendar, processions, tlSß