Thomas Bunting while neglecting his philosophy Ph.D., still unfinished after seven years, is secretly writing what he hopes will be his masterwork--a vast atheistic project to be titled The Book Against God. In despair over his failed academic career and failing marriage, Bunting is also enraged to the point of near lunacy by his parents' religiousness. When his father, a beloved parish priest, suddenly falls ill, Bunting returns to the Northern village of his childhood. Bunting's hopes that this visit might enable him to finally talk honestly with his parents and sort out his wayward life, are soon destroyed.
Comic, edgy, lyrical, and indignant Bunting gives the term unreliable narrator a new twist with his irrepressible incapacity to tell the truth.
James Woodwas chief literary critic ofThe Guardian(London) and is senior editor atThe New Republic. His first collection of essays,The Broken Estate, was published in 1999. He lives in Boston, Massachusetts.
How then, does Wood's first novel measure up against his own exacting criteria? The answer is: remarkably well. Like Wood's criticism,The Book Against Godis full of ideas, irony, and intelligence. The Miami Herald
Wood has written his own big-thing novel, his first, which has to do with literature and faith but is also, happily, laden with wit, forceful images, and English eccentrics. The New York Times Book Review
Intellectually stimulating and amusing first novel [Wood] mixes serious questions of theology and family relationships so tactfully, cunningly even, that they go down as smoothly as the scotch Tom keeps hidden in the bottle under his bed. The Washington Post
Discussion Questions
1. The novel is narrated by Thomas Bunting, an admitted liar. Though he lies to those around
him, exactlyhowunreliable a narrator is he? Do you trust his narration of his story?
2. Discuss how Tom'lsè