The once-bucolic Catalonian village of Vidreres has been ravaged by a harsh recession, and now two of its young men have died in a horrible car crash. As the town attends the funeral, a banker named Ernest heads to the tree where they died, trying to make sense of the tragedy. There he meets a brutish trucker, who in between Internet hookups and trips to prostitutes has taken a liking to Iona, the fiancée of one of the dead boys. Iona might be just what he needs to fix his tawdry life, but she’s mixed up with an artist who makes frightening projects. Masterfully conjuring the voices of each of these four characters, Toni Sala entwines their lives and their feelings of guilt, fear, and rage over an unspeakable loss.
Long known as one of Spain’s most powerful authors, Toni Sala is at his mischievous best here, delivering a sinister, fast-moving tale laced with intricate meditations on everything from social networks to Spain’s economic collapse to the mysterious end that awaits us all.The Boysis a startlingly honest vision of the things we’ll do in order to feel a little less alone in this world.
WINNER OF THE 2014 PREMIS DE LA CRÍTICA, CATALONIA’S MOST PRESTIGIOUS LITERARY AWARD
An IndieBound Indie Next List selection for December 2015
Toni Sala's short novel begins as a meditation on death, morphs into an interrogation of contemporary bankruptcies, and culminates in one the most profound and disturbing artistic visions ever written. This book stunned me in a way that I will recover from as a different person than I was when I picked it up. Elise Blackwell, author ofHungerandThe Lower Quarter
Translation-savvy readers might hear a little Rodoreda and Monzó in Sala’s prose, but the most significant comparison could be to Bolaño’s more Iberian-inflected worklight-footed, death-haunted sentences that tumble along at tlÓ.