British Writers and the Approach of World War II [Hardcover]

Ellis explores the ways in which British modernist writers wrestled with the acute anxiety and anticipation preceding World War II.This book explores the ways in which modernist writers like T. S. Eliot, Virginia Woolf and H. G. Wells witnessed the approach of World War II and how their writings raised profound questions emblematic of the era: What is Britain is fighting for? What is worth defending in society? What needs to be changed in the post-war reconstruction? No other literary study has looked at the period covered  late 1938 to early 1940  in such detail, thus enabling greater insight into the literature of that period.This book explores the ways in which modernist writers like T. S. Eliot, Virginia Woolf and H. G. Wells witnessed the approach of World War II and how their writings raised profound questions emblematic of the era: What is Britain is fighting for? What is worth defending in society? What needs to be changed in the post-war reconstruction? No other literary study has looked at the period covered  late 1938 to early 1940  in such detail, thus enabling greater insight into the literature of that period.This book considers the literary construction of what E. M. Forster calls 'the 1939 State', namely the anticipation of the Second World War between the Munich crisis of 1938 and the end of the Phoney War in the spring of 1940. Steve Ellis investigates not only myriad responses to the imminent war but also various peace aims and plans for post-war reconstruction outlined by such writers as T. S. Eliot, H. G. Wells, J. B. Priestley, George Orwell, E. M. Forster and Leonard and Virginia Woolf. It argues that the work of these writers is illuminated by the anxious tenor of this period. The result is a novel study of the 'long 1939' , which transforms readers' understanding of the literary history of the eve-of-war era.1. Post-Munich I: T. S. Eliot and the spiritual revival; 2. Post-Munich II: literature of the crisis; 3. H. G. Wells and the new wol£R