The most wide-ranging and sophisticated account of American literary realism currently available for students.This introduction offers the most wide-ranging and sophisticated account of American literary realism currently available for students. Barrish emphasizes both historical context and aesthetic form while also introducing readers to ongoing critical debates on authors including Henry James, William Dean Howells, Sarah Orne Jewett, Edith Wharton and Mark Twain.This introduction offers the most wide-ranging and sophisticated account of American literary realism currently available for students. Barrish emphasizes both historical context and aesthetic form while also introducing readers to ongoing critical debates on authors including Henry James, William Dean Howells, Sarah Orne Jewett, Edith Wharton and Mark Twain.Between the Civil War and the First World War, realism was the most prominent form of American fiction. Realist writers of the period include some of America's greatest, such as Henry James, Edith Wharton and Mark Twain, but also many lesser-known writers whose work still speaks to us today, for instance Charles Chesnutt, Zitkala-`a and Sarah Orne Jewett. Emphasizing realism's historical context, this introduction traces the genre's relationship with powerful, often violent, social conflicts involving race, gender, class and national origin. It also examines how the realist style was created; the necessarily ambiguous relationship between realism produced on the page and reality outside the book; and the different, often contradictory, forms 'realism' took in literary works by different authors. The most accessible yet sophisticated account of American literary realism currently available, this volume will be of great value to students, teachers and readers of the American novel.Introduction: American literary realism; 1. Literary precursors, literary contexts; 2. The 'look of agony' and everyday middle-class life: three transitional works; 3. CreatilăI