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In recent years, the role of zoos and aquaria as centres for conservation, education, and entertainment has been placed under scrutiny. From the controversy surrounding the confinement of orcas at SeaWorld to the killing of Harambe the gorilla at the Cincinnati Zoo, questions have been asked about the place, if any, of zoos and aquaria in a world where so many animals need resources and protection in the wild and many other means of learning about the natural world exist.
For more than a decade, Canadian photojournalist Jo-Anne McArthur has turned her forensic and sympathetic camera on those animals whom we ve placed in zoos and we animals who look at them. As with her first book, We Animals (Lantern, 2013), McArthur s aim is to invite us to reflect on how we observe or ignore one another through the bars, across the moat, or on either side of the glass. Captive is a book that will challenge our preconceptions about zoos and aquaria, animal welfare, and just what or who it is we think we see when we face the animal.
In her stunning images, Jo-Anne McArthur conveys more than words ever can the injustice of confinement, and the arcane idea that we are lords and they are things. Jonathan Balcombe, author, What a Fish Knows
Captive may have a positive influence on the reader and serve to steer them away from captive animal shows including dolphins and other whales and that s what I like most about the book. Ric O Barry, The Cove, the Dolphin Project
Captive is a searing reflection of the despair felt?by captive wild animals. I hope everyone views the photographs in this great work and dares to recognize themselves in these individuals. We owe it to them. Lori Marino, neuroscientist
As a field ethologist, I ve been privileged to see animals of all kinds expressing their complex, playful, serious, and fully social selves with their families, friends, and foes in naturalls)
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