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In his first novel to appear in English, “one of Iran's most important living fiction writers” (The Guardian) shows what it’s like to live and love there today.
In a country where mere proximity between a man and a woman may be the prologue to deadly sin, where illicit passion is punished by imprisonment, or even death, telling that most redemptive of human narratives becomes the greatest literary challenge. If conducting a love affair in modern Iran is not a simple undertaking, then telling the story of that love may be even more difficult.
Shahriar Mandanipour (author of Moon Brow) evokes a pair of young lovers who find each other—despite surreal persecution and repressive parents—through coded messages and internet chat rooms; and triumphantly their story entwines with an account of their creator’s struggle. Inventive, darkly comic and profoundly touching, Censoring an Iranian Love Story celebrates both the unquenchable power of the written word and a love that is doomed, glorious, and utterly real.A New Yorker Best Book of the Year
One of the Best Debuts of 2009 —NPR
Exciting. . . . Powerful. . . . Mandanipour's writing is exuberant, bonhomous, clever, profuse with puns and literary-political references. —James Wood,The New Yorker
A clever Rubik's Cube of a story, [and] a haunting portrait of life in the Islamic Republic of Iran. . . . An Escher-like meditation on the interplay of life and art, reality and fiction. . . . At its best,Censoring an Iranian Love Storybecomes a Kundera-like rumination on philosophy and politics [that] playfully investigates the possibilities and limits of storytelling. —Michiko Kakutani,The New York Times
A love story that is convincingly, achingly impossible in a place where men and women cannot even look at each other in publl³(
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