McDonagh examines the idea of child murder in British culture in the eighteenth and nineteenth centuries.Josephine McDonagh examines the idea of child murder in British culture in the eighteenth and nineteenth centuries. Analysing texts drawn from economics, philosophy, law, medicine as well as from literature, McDonagh highlights the manifold ways in which child murder echoes and reverberates in a variety of cultural debates and social practices. She traces a trajectory from Swift's A Modest Proposal through to the debates on the New Woman at the turn of the twentieth century by way of Burke, Wordsworth, Wollstonecraft, George Eliot, George Egerton, and Thomas Hardy, among others.Josephine McDonagh examines the idea of child murder in British culture in the eighteenth and nineteenth centuries. Analysing texts drawn from economics, philosophy, law, medicine as well as from literature, McDonagh highlights the manifold ways in which child murder echoes and reverberates in a variety of cultural debates and social practices. She traces a trajectory from Swift's A Modest Proposal through to the debates on the New Woman at the turn of the twentieth century by way of Burke, Wordsworth, Wollstonecraft, George Eliot, George Egerton, and Thomas Hardy, among others.Josephine McDonagh examines the concept of child murder in British culture in the eighteenth and nineteenth centuries by analyzing texts drawn from economics, philosophy, law, and medicine, as well as literature. McDonagh highlights the ways in which child murder echoes and reverberates in a variety of cultural debates and social practices. She traces a trajectory from Swift's A Modest Proposal through the debates on the New Woman at the turn of the twentieth century by way of Burke, Wordsworth, Wollstonecraft, George Eliot, George Egerton, and Thomas Hardy, among others.List of illustrations; Acknowledgements; Note on references; List of abbreviations; Introduction: plots and protagonists; 1. Child murder and commelÃÄ