Cinema and Social Change in Germany and Austria [Hardcover]

During the last decade, contemporary German and Austrian cinema has grappled with new social and economic realities. The cinema of consensus, a term coined to describe the popular and commercially oriented filmmaking of the 1990s, has given way to a more heterogeneous and critical cinema culture. Making the greatest artistic impact since the 1970s, contemporary cinema is responding to questions of globalization and the effects of societal and economic change on the individual.

This book explores this trend by investigating different thematic and aesthetic strategies and alternative methods of film production and distribution. Functioning both as a product and as an agent of globalizing processes, this new cinema mediates and influences important political and social debates. The contributors illuminate these processes through their analyses of cinemas intervention in discourses on such concepts as national cinema, the effects of globalization on social mobility, and the emergence of a global culture. The essays illustrate the variety and inventiveness of contemporary Austrian and German filmmaking and highlight the complicated interdependencies between global developments and local specificities. They confirm a broader trend toward a more complex, critical, and formally diverse cinematic scene.

This book offers insights into the strategies employed by German and Austrian filmmakers to position themselves between the commercial pressures of the film industry and the desire to mediate or even attempt to affect social change. It will be of interest to scholars in film studies, cultural studies, and European studies.

Cinema by all means has to be dangerous! (279) When Barbara Pichler quotes the title of Marcus Seiberts book of interviews with young Austrian filmmakers (2006), she also sums up the fifteen articles of this carefully edited volume, which presents a whole host of refreshing new perspectives on the most recent German-language fillc)