The papers illustrate the different ways in which the Renaissance made use of its classical heritage.The papers in this 1974 volume, illustrate the different ways in which the Renaissance made use of its classical heritage, and the variety of techniques employed which transforms material derived from the ancient classics that serves the social and cultural purposes of Renaissance man. This volume will interest specialists from classical, Renaissance, French, German and Italian studies.The papers in this 1974 volume, illustrate the different ways in which the Renaissance made use of its classical heritage, and the variety of techniques employed which transforms material derived from the ancient classics that serves the social and cultural purposes of Renaissance man. This volume will interest specialists from classical, Renaissance, French, German and Italian studies.These studies illustrate the different ways in which the Renaissance made use of its classical heritage, and how a variety of techniques were employed to transform the material that could be derived from the ancient classics so that it could serve the social and cultural purposes of Renaissance man. The scope of the volume covers discussions of catalogues and editions of humanist works; the humanist contribution to the art of discourse; humanism and religion; humanism and political thought; and finally the contribution of the humanists to the useful and fine arts. This volume consists of papers delivered at the second conference on Classical Influences held at King's College, Cambridge, in 1974. This book should be of interest to specialists in classical studies, Renaissance studies and the history of literature and ideas, and specialists in French, German and Italian studies. The last three articles will also interest art historians.Preface L. P. Wilkinson; Editor's note; List of plates; Contributors; Introduction R. R. Bolgar; Part I. Catalogues and Editions of Humanist Works: 1. 15001700: the bibliogl3#