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Collecting Women: Poetry and Lives, 1700-1780 [Hardcover]

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  • Category: Books (Literary Criticism)
  • Author:  Lavoie, Chantel M.
  • Author:  Lavoie, Chantel M.
  • ISBN-10:  1611483417
  • ISBN-10:  1611483417
  • ISBN-13:  9781611483413
  • ISBN-13:  9781611483413
  • Publisher:  Bucknell University Press
  • Publisher:  Bucknell University Press
  • Pages:  215
  • Pages:  215
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-Jun-2009
  • Pub Date:  01-Jun-2009
  • SKU:  1611483417-11-SPLV
  • SKU:  1611483417-11-SPLV
  • Item ID: 101291235
  • List Price: $105.00
  • Seller: ShopSpell
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  • Delivery by: Nov 29 to Dec 01
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Collecting Women is a remarkable book. It is a scrupulous, scholarly study of a highly important area of literature, with both theoretical and historical reach and importance.This book addresses the place of women writers in anthologies and other literary collections in eighteenth-century England. It explores and contextualizes the ways in which two different kinds of printed materialpoetic miscellanies and biographical collectionscomplemented one another in defining expectations about the woman writer. Far more than the single-authored text, it was the collection in one form or another that invested poems and their authors with authority. By attending to this fascinating cultural context, Chantel Lavoie explores how women poets were placed posthumously in the world of eighteenth-century English letters. Investigating the lives and works of four well-known poetsKatherine Philips, Aphra Behn, Anne Finch, and Elizabeth RoweLavoie illuminates the ways in which celebrated women were collected alongside their poetry, the effect of collocation on individual reputations, and the intersection between bibliography and biography as female poets themselves became curiosities. In so doing, Collecting Women contributes to the understanding of the intersection of cultural history, canon formation, and literary collecting in eighteenth-century England.This book addresses the place of women writers in anthologies and other literary collections in eighteenth-century England. It explores and contextualizes the ways in which two different kinds of printed materialpoetic miscellanies and biographical collectionscomplemented one another in defining expectations about the woman writer. Far more than the single-authored text, it was the collection in one form or another that invested poems and their authors with authority. By attending to this fascinating cultural context, Chantel Lavoie explores how women poets were placed posthumously in the world of eighteenth-century English letlC-

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