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Come and Take It: The Gun Printer's Guide to Thinking Free [Paperback]

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  • Category: Books (Biography & Autobiography)
  • Author:  Wilson, Cody
  • Author:  Wilson, Cody
  • ISBN-10:  1476778272
  • ISBN-10:  1476778272
  • ISBN-13:  9781476778273
  • ISBN-13:  9781476778273
  • Publisher:  Gallery Books
  • Publisher:  Gallery Books
  • Pages:  320
  • Pages:  320
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Nov-2017
  • Pub Date:  01-Nov-2017
  • SKU:  1476778272-11-MING
  • SKU:  1476778272-11-MING
  • Item ID: 100058109
  • List Price: $17.99
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Oct 28 to Oct 30
  • Notes: Brand New Book. Order Now.

A startling philosophical manifesto for the twenty-first century on freedom of information,Come and Take Itis the controversial yet thrilling story of the first ever-3D printable gun, developed by self-described crypto-anarchist and rogue thinker Cody Wilson.

In Defense Distributed, Cody Wilson’s employees worked against all odds to defend liberty and the right to access arms through the production of 3D printed firearms. Now, Wilson crafts a unique and critical guide through the digital revolution and follows a group of digital radicals as they navigate political subterfuge—deflecting interference from the State Department and the Bureau of Alcohol, Tobacco, Firearms and Explosives—to create a technological miracle, against all odds.

Harkening to bothZen and the Art of Motorcycle MaintenanceandThe Anarchist Cookbook,Come and Take Itcombines elements of a modern-day thriller with a fascinating philosophical treatise, and Wilson paints a scathing and timely portrait of an ideologically polarized America and his own struggle in the fight for liberty.Come and Take It
At high summer, we gathered in Little Rock at the Peabody. By the evening the hotel’s signature ducks—four hens and a drake—would have already completed their twice-daily march from the rooftop penthouse to the lobby fountain, where they fluttered and splashed.

In a few more months the Southern charm would be wrung from the place: no more mallards in the elevator. But back then, in the summer of 2012, we basked in the final flickering of it all. We drank to the uneasiness in culture.

Music, voices, and the sounds of the running fountain danced about the marbled, open floors. Golden light filled the huge recesses above and around the lobby bar, ringed by six great pillars. The hotel opened directly onto Markham Street and the walking crowds lƒ-

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