This is a comprehensive collection of original essays that explore the aesthetics, economics, and mechanics of movie adaptation, from the days of silent cinema to contemporary franchise phenomena. Featuring a range of theoretical approaches, and chapters on the historical, ideological and economic aspects of adaptation, the volume reflects today’s acceptance of intertextuality as a vital and progressive cultural force.
- Incorporates new research in adaptation studies
- Features a chapter on the Harry Potter franchise, as well as other contemporary perspectives
- Showcases work by leading Shakespeare adaptation scholars
- Explores fascinating topics such as ‘unfilmable’ texts
- Includes detailed considerations of Ian McEwan’s Atonement and Conrad’s Heart of Darkness
List of Contributors viii
Acknowledgments xi
Foreword: Kamilla Elliott xii
100+ Years of Adaptations, or, Adaptation as the Art Form of Democracy 1
Deborah Cartmell
Part I History and Contexts: From Image to Sound 15
1 Literary Adaptation in the Silent Era 17
Judith Buchanan
2 Writing on the Silent Screen 33
Gregory Robinson
3 Adaptation and Modernism 52
Richard J. Hand
4 Sound Adaptation: Sam Taylor’s The Taming of the Shrew 70
Deborah Cartmell
Part II Approaches 85
5 Adaptation and Intertextuality, or, What isn’t an Adaptation, and What Does it Matter? 87
6 Fill£J