Concert Music, Rock, and Jazz Since 1945 Essays and Analytic Studies [Paperback]

Modern musical-analytical techniques are applied to a wide range of Western music, disregarding barriers between different kinds of music. Topics discussed fall into three sections: compositional poietics (poietics being the pre-compositional activities of composer theorists); structuralist approaches, extending musical-theoretical research to new repertoires; and musical-analysis employing techniques from other disciplines. The essays in this volume present current research into a wide range of Western music, disregarding barriers between different kinds of music, and drawing on modern musical-analytical techniques to draw together the varied subjects they explore. Contributors: Jonathan D. Kramer, Robert Cogan, Robert D. Morris, Andrew Mead, Cynthia Folio, Elizabeth West Marvin, Walter Everett, Jane Piper Clendenning, Jonathan W. Bernard, Ellie M. Hisama, Dave Headlam, Richard Hermann, John Covach, Nicholas J. Cook. Elizabeth West Marvin is associate professor of music theory at the Eastman School of Music. Richard Hermann is assistant professor of music, University of New Mexico.Interdisciplinary articles bridge the gulf between classical and popular music.Beyond Unity: Toward an Understanding of Musical PostmodernismThe Art-Science of Music after Two MillenniaAspects of Confluence between Western Art Music and EthnomusicoloyTwelve-Tone Composition and the Music of Elliott CarterAn Analysis of Polyrhythm in Selected Improvisd Jazz SolosA Generalization of Contour Theory to Diverse Musical Spaces: Analytical Applications to the Music of Dallapiccola and StockhausenStockhausenA Generalization of Contour Theory to diverse Musical Spaces: Analytical Applications to the Music ofDdallapiccola and StockhausenStockhausenThe Beatles as Composers: The Genesis of Abbey Road, Side TwoStructural Factors in the Microcanonic Compositions of Gyorgy LigetiTheory, Analysis, and the Problem of Minimal MusicThe Question of Climax in Rutlã¾