Contemporary British Theatre: Breaking New Ground [Hardcover]

This edited collection brings together a team of internationally prominent academics and delivers cutting-edge discourse on the strongly emerging tradition of experimentation in contemporary British theatre - redefining what the dramatic stands for today. Each chapter of the collection focuses on influential contemporary plays and playwrights.Foreword Acknowledgements Notes on Contributors Introduction 1. Exit the Author; Dan Reballato 2. 'And I was Struck Still By Time': Contemporary British Theatre and the Metaphysical Imagination; Chris Megson 3. Politics for the Middle Classes: Contemporary Audiences and the Violence of Now; Vicky Angelaki 4. Language Games and Literary Constraints: Playing with Tragedy in the Theatre of Caryl Churchill and Martin Crimp; Elisabeth Angel-Perez 5. Racial Violence, Witnessing and Emancipated Spectatorship in The Colour of Justice , Fallout and Random ; Mireia Aragay and Enric Monforte 6. Old Wine in a New Bottle or Vice Versa? Winsome Pinnock's Interstitial Poetics; Elizabeth Sakellaridou 7. Acting In/Action: Staging Human Rights in Debbie Tucker Green's Royal Court Plays; Marissia Fragkou and Lynette Goddard 8. Children and the Limits of Representation in the Work of Tim Crouch; Helen Freshwater

Vicky Angelakis collection Contemporary British Theatre: Breaking New Ground is a fascinating and enlightening read & . Thought-provoking and timely, the whole volume is strongly concerned with questions of ethics and witnessing, and with the relationship between the theatre and its audience. & Ultimately, this whole collection explores the dialogue between the theatre and the audience, and it covers new ground, shared between stage and spectators. (Julia Boll, Journal of Contemporary Drama in English, Vol. 3 (2), 2015)