Valerie Trueblood is, simply put, one of the finest story writers who is currently working in the American language, as prize committees acknowledge. In this, her beautifully made third collection, each of the fifteen stories asks two defining questions:What kind of love story is this?as well as,Who here is exactly what kind of criminal?
In His Rank,” an armed man enters a bar to claim the girl he understands to be his destiny only to be told she has, the weekend before, married someone else. In Skylab,” in which lovers have run away together to work medical relief in Malaysia, the young woman is reading the Koran to learn what it says about adulterers even as she waits for satellite debris to rain down on her. She’ll be punished, won’t she, for the crime of happiness? And in The Bride of the Black Duck” a new widow falls in love with an entire complicated family in her neighborhood, with whom she’s suddenly, irrevocably plighted her troth: she is theirs, just as they are hers.
InCriminalsthe stories are linked by theme, the characters often tender, movingly, but flawed; that is they arerealistic. Love is hard won.
[Trueblood’s stories] become love stories only in acts of redemption and release, with a complexity that reveals Trueblood’s keen eye for the nuances of connection
Trueblood is an elegant writer, and she wrings a nobility out of even the most troubled characters. Her work is an exercise in literary restraint and extreme empathy, her sentences sharp enough to cut but warm enough to melt.” New York Times Book Review
[Criminals] resembles the kind of fiction that regularly garners critical accolades and finds its way onto prize shortlists
Criminals emphasizes style and subtlety.” The Globe & Mail
If the course of love never runs smooth, per Shakespeal³.