A fresh account of Irish Romanticism and the Irish novel in turbulent political times.A new cultural history of the Irish Romantic novel in the turbulent decades of the 1790s1820s. Drawing on rich archives of history and fiction, Claire Connolly presents new interpretations of the novels and explores important links between fiction and politics at this formative period of Irish history.A new cultural history of the Irish Romantic novel in the turbulent decades of the 1790s1820s. Drawing on rich archives of history and fiction, Claire Connolly presents new interpretations of the novels and explores important links between fiction and politics at this formative period of Irish history.Claire Connolly offers a cultural history of the Irish novel in the period between the radical decade of the 1790s and the gaining of Catholic Emancipation in 1829. These decades saw the emergence of a group of talented Irish writers who developed and advanced such innovative forms as the national tale and the historical novel: fictions that took Ireland as their topic and setting and which often imagined its history via domestic plots that addressed wider issues of dispossession and inheritance. Their openness to contemporary politics, as well as to recent historiography, antiquarian scholarship, poetry, song, plays and memoirs, produced a series of notable fictions; marked most of all by their ability to fashion from these resources a new vocabulary of cultural identity. This book extends and enriches the current understanding of Irish Romanticism, blending sympathetic textual analysis of the fiction with careful historical contextualization.Preface; 1. Introduction: fact and fiction; 2. Landscape and map; 3. Love and marriage; 4. Catholics and Protestants; 5. Dead and alive. & quietly provocative & the book makes an important foundational contribution to the field of Irish Gothic as well as Romantic studies & an exemplary study for scholars working in any language and national tradilsD