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A stunning work of memoir and an unforgettable depiction of the brilliance and madness byone of Surrealism's most compelling figures
In 1937 Leonora Carrington—later to become one of the twentieth century’s great painters of the weird, the alarming, and the wild—was a nineteen-year-old art student in London, beautiful and unapologetically rebellious. At a dinner party, she met the artist Max Ernst. The two fell in love and soon departed to live and paint together in a farmhouse in Provence.
In 1940, the invading German army arrested Ernst and sent him to a concentration camp. Carrington suffered a psychotic break. She wept for hours. Her stomach became “themirrorof the earth”—of all worlds in a hostile universe—and she tried to purify the evil by compulsively vomiting. As the Germans neared the south of France, a friend persuaded Carrington to flee to Spain. Facing the approach “of robots, of thoughtless, fleshless beings,” she packed a suitcase that bore on a brass plate the wordRevelation.
This was only the beginning of a journey into madness that was to end with Carrington confined in a mental institution, overwhelmed not only by her own terrible imaginings but by her doctor’s sadistic course of treatment. InDown Belowshe describes her ordeal—in which the agonizing and the marvelous were equally combined—with a startling, almost impersonal precision and without a trace of self-pity. Like Daniel Paul Schreber’sMemoirs of My Nervous Illness,Down Belowbrings the hallucinatory logic of madness home. In her centenary year, Carrington is undergoing a revival...Down Below is both a recollection of madness and a kind of transcription. Though Carrington completed it after the fact, her memoir hews closely to her thoughts and feelings as they were then.” —Anwen Crawford, The New Yorker
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