Durkheim, in his very role as a founding father of a new social science, sociology, has become like a gure in an old religious painting, enshrouded in myth and encrusted in layers of thick, impenetrable varnish. This book undertakes detailed, up-to-date investigations of Durkheims work in an effort to restore its freshness and reveal it as originally created. These investigations explore his particular ideas, within an overall narrative of his initial problematic search for solidarity, how it became a quest for the sacred and how, at the end of his life, he embarked on a project for a new great work on ethics. A theme running through this is his concern with a modern world in crisis and his hope in social and moral reform. Accordingly, the book concludes with a set of essays on modern times and on a crisis that Durkheim thought would pass but which now seems here to stay.
William Watts Milleris editor of the journal,Durkheimian Studies, author of various books and articles on Durkheim as well as of translations of his writings and is one of the team of international scholars co-operating on the first critical edition of Durkheims Complete Works.
Watts Miller provides a meticulous, conscientious, and unpretentious reading of Durkheim, rooted in deep acquaintance not only with his unpublished lectures but also with the writing of his contemporaries&The strength of Watts Miller's book is that it harks back to a Durkheim of complexity and rich ambiguity.????Choice
&a brilliant piece of scholarship. It is exhaustive and extensively documented. Included are a series of tables that help us connect Durkheims antecedent lectures to the completed text of The Elemental Forms, compare his various definitions of religion, and trace the temporal progression of his work&this book would be an appropriate text in a graduate level social theory clalĂ#