The Fabliaux [Hardcover]

Composed between the twelfth and fourteenth centuries, these virtually unknown erotic and satiric poems lie at the root of the Western comic tradition. Passed down by the anticlerical middle classes of medieval France,Like Seamus Heaneys translation ofDevilishly bawdy and irreverent&The 69 fabliaux presented here in their original French and translated into rascally, buoyant English by Nathaniel E. Dubin, are relentlessly scabrous, egregiously misogynistic, and exuberantly oppositional to bourgeois respectability and the church&. Vivid, funny, robustly grotesque, and drolly outrageous, these satirical tales of lust, revenge, and folly feature lecherous peasants, fornicating priests, scoundrels, fools, and women wily and tough, castigated and abused&. An historic literary achievement bound to arouse vociferous discussion.Pure, unadulterated fun&. A golden bough of erotic imagination and folk humor, peopled by randy wives, cuckolded husbands, fornicating priests, and priapic knights&. Ultimately, whats so potent and profound about these risqu? yarns is not their unbridled expressions of sexuality and vulgarity per se, but their unusual ability to provoke a carnivalesque laughter in all. Through denuding, debauchery, and bodily degradation, the fabliaux create a common denominator for humanity, an earthy, holistic world in which, to quote Bakhtin again, he who is laughing also belongs to it. Flaunting unabashed obscenity in delightful verse,The fabliaux, then, is a short story that is a tall story. It combines a burly blurting of dirty words with a reveling in humiliations that are good unclean fun. A popular venture that is keen to paste?patereverybody (not just the bourgeoisie), it is the art of the single entendre. Highly staged low life, it guffaws at the pious, the prudish, and the priggish. High cockalorum versus high decorum&. The introduction here, like the translators note, tells well the story of the comic tales, anonymous for the most part, ulc�