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An NYRB Classics Original
Winner of the Scott Moncrieff Prize for Translation
1915: Jean Dartemont heads off to the Great War, an eager conscript. The only thing he fears is missing the action. Soon, however, the vaunted “war to end all wars” seems like a war that will never end: whether mired in the trenches or going over the top, Jean finds himself caught in the midst of an unimaginable, unceasing slaughter. After he is wounded, he returns from the front to discover a world where no one knows or wants to know any of this. Both the public and the authorities go on talking about heroes—and sending more men to their graves. But Jean refuses to keep silent. He will speak the forbidden word. He will tell them about fear.
John Berger has calledFear“a book of the utmost urgency and relevance.” A literary masterpiece, it is also an essential and unforgettable reckoning with the terrible war that gave birth to a century of war. Fearhardly feels like an object from the lost-and-found, which is why it has preserved its capacity to gobsmack. Chevallier’s protagonist, Jean Dartemont, a sardonic 19-year-old student from Paris shoved into a uniform and rushed to the trenches, narrates the war with a bracingly modern sensibility. He is confessional, self-deprecatory, and a little bit vulgar. There’s a strong streak of Joseph Heller in his Erich Maria Remarque. —Franklin Foer,The New Republic
“All the phases of this particularly horrid war, phases that we have become accustomed to from later writing, are recounted here in a remarkable voice…And, in this prizewinning translation by Malcolm Imrie, his writing still has a ferocious power…Chevallier’s narrative remains radioactive with pure terror, frightening in a way later accounts don’t quite manage. It’s hard to believe, given the powerful, almost American casualness of his voice, that this l³.
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