Female Spectacle The Theatrical Roots Of Modern Feminism [Paperback]

When the French actress Sarah Bernhardt made her first American tour in 1880, the term feminism had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive New Women.

Female Spectaclereveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism.

All the world may be a stage, but Susan Glenn brilliantly shows us how the stage can shape the world, in this case the modern world of the New Woman from the 1880s through the 1920s. What female performers did on stage and in their professional careers changed forever what all women did off of it.Female Spectacleis a delightful book that vividly portrays the place of women in the popular theater of the early twentieth century. Engrossing and brilliantly insightful, it will surely be hailed as one of the finest studies of American popular culture to appear in the last decade.Female Spectacleis a richly detailed, lively and original treatment of a fascinating subject. Beautifully researched and persuasively argued, it is also fun to read.Female Spectacleis a major contribution to the limited literaturls*