This book explores how writers responded to the rise of the newspaper over the course of the nineteenth century. Taking as its subject the ceaseless intertwining of fiction and journalism at this time, it tracks the representation of newspapers and journalists in works by Honore de Balzac, Edmond and Jules de Goncourt, and Guy de Maupassant. This was an era in which novels were published in newspapers and novelists worked as journalists. In France, fiction was to prove an utterly crucial presence at the newspapers heart, with a gilded array of predominant literary figures active in journalism. Today, few in search of a novel would turn to the pages of a daily newspaper. But what are usually cast as discrete realms fiction and journalism came, in the nineteenth century, to occupy the same space, a point which complicates our sense of the cultural history of French literature.
Introduction.- 1. Newspaper Fictions, Newspaper Histories.-?2. A Sentimental Education: Balzacs Journalists.-?3. The Brothers Goncourt and the End of Privacy.-?4. Sleight of Hand: Maupassant and Actualit?.- Conclusion.
Edmund Birch teaches French Literature at the University of Cambridge, UK, where he is Director of Studies and College Lecturer at Churchill College and Selwyn College. He is Co-Editor of Literature and the Press in France, a special number of the journal
Dix-Neuf?(2017), and the author of a number of articles on French literature and the cultural history of journalism.This book explores how writers responded to the rise of the newspaper over the course of the nineteenth century. Taking as its subject the ceaseless intertwining of fiction and journalism at this time, it tracks the representation of newspapers and journalists in works by Honore de Balzac, Edmond and Jules de Goncourt, and Guy de Maupassant. This was an era in which novels were published in newspapers and novelists worked as journalists. In France,lƒ3