From Hittite to Homer The Anatolian Background of Ancient Greek Epic [Hardcover]

This book takes a bold new approach to the prehistory of Homeric epic, arguing for a fresh understanding of how Near Eastern influence worked.This book takes a bold new approach to the prehistory of Homeric epic. It argues that the Near Eastern influence on early Greek hexameter poetry primarily came from a single Syro-Anatolian tradition of oral narrative song, which included the Song of Gilgamesh and the Kumarbi Cycle, starting in the eleventh century BCE.This book takes a bold new approach to the prehistory of Homeric epic. It argues that the Near Eastern influence on early Greek hexameter poetry primarily came from a single Syro-Anatolian tradition of oral narrative song, which included the Song of Gilgamesh and the Kumarbi Cycle, starting in the eleventh century BCE.This book provides a groundbreaking reassessment of the prehistory of Homeric epic. It argues that in the Early Iron Age bilingual poets transmitted to the Greeks a set of narrative traditions closely related to the one found at Bronze-Age Hattusa, the Hittite capital. Key drivers for Near Eastern influence on the developing Homeric tradition were the shared practices of supralocal festivals and venerating divinized ancestors, and a shared interest in creating narratives about a legendary past using a few specific storylines: theogonies, genealogies connecting local polities, long-distance travel, destruction of a famous city because it refuses to release captives, and trying to overcome death when confronted with the loss of a dear companion. Professor Bachvarova concludes by providing a fresh explanation of the origins and significance of the Greco-Anatolian legend of Troy, thereby offering a new solution to the long-debated question of the historicity of the Trojan War.1. Introduction; 2. Hurro-Hittite song at Hattusa; 3. Gilgamesh at Hattusa: written texts and oral traditions; 4. The Hurro-Hittite ritual context of Gilgamesh at Hattusa; 5. The plot of the Song of Release; 6. The place of the SonlãÂ