Demonstrates how Riemann's theories advanced an understanding of the tonal tradition as both natural and German.Generally acknowledged as the most important German musicologist of his age, Hugo Riemann (1849 1919) shaped the ideas of generations of music scholars, not least because his work coincided with the institutionalisation of academic musicology around the turn of the last century. By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German.Generally acknowledged as the most important German musicologist of his age, Hugo Riemann (1849 1919) shaped the ideas of generations of music scholars, not least because his work coincided with the institutionalisation of academic musicology around the turn of the last century. By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German.Hugo Riemann (1849-1919) is generally acknowledged as the most important musicologist of his age. By analyzing his musical thought within the turn-of-the-century context of interest in the natural sciences, German nationhood and modern technology, this book reconstructs how Riemann's ideas not only made sense but advanced a belief of the tonal tradition as both natural and German. Riemann influenced the ideas of generations of music scholars because his work coincided with the institutionalization of academic musicology around the turn of the last century.1. Riemann's moonshine experiment; 2. The responsibilities of nineteenth-century music theory; 3. Riemann's musical logic and the lƒ°