Hymns for the Fallen Combat Movie Music and Sound after Vietnam [Hardcover]

InHymns for the Fallen,Todd Decker listens closely to forty years of Hollywood combat films produced after Vietnam. Ever a noisy genre, post-Vietnam war films have deployed music and sound to place the audience in the midst of battle and to provoke reflection on the experience of combat. Considering landmark movies—such asApocalypse Now,Saving Private Ryan,The Thin Red Line,Black Hawk Down,The Hurt Locker, andAmerican Sniper—as well as lesser-known films, Decker shows how the domain of sound, an experientially rich and culturally resonant aspect of cinema, not only invokes the realities of war, but also shapes the American audience’s engagement with soldiers and veterans as flesh-and-blood representatives of the nation.Hymns for the Fallenexplores all three elements of film sound—dialogue, sound effects, music—and considers how expressive and formal choices in the soundtrack have turned the serious war film into a patriotic ritual enacted in the commercial space of the cinema.

Todd Deckeris Professor of Music at Washington University in St. Louis. The author of four books on American commercial music and media, he has lectured at the Library of Congress, London’s Victoria and Albert Museum, and LabEx Arts-H2H in Paris.

Introduction

PART I. THE PRESTIGE COMBAT FILM
1. Movies and Memorials
2. Soundtracks and Scores

PART II. DIALOGUE
3. Soldiers’ Talk
4. Soldiers’ Song
5. Disembodied Voices

PART III. SOUND EFFECTS
6. Nothing Sounds Like an M-16
7. Helicopter Music

PART IV. MUSIC
8. Unmetered
9. Metered
10. Elegies
11. End Titles

Acknowledgments
Abbreviations
Notes
Works Cited
Index

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