Across Western cities, there is an increasing obsession with producing manicured landscapes. Standing in contrast to these aesthetically and socially regulated spaces are the neglected sites of industrial ruins, places on the margin which accommodate transgressive and playful activities. Providing a different aesthetic to the over-coded, over-designed spaces of the city, ruins evoke an aesthetics of disorder, surprise and sensuality, offering ghostly glimpses into the past and a tactile encounter with space and materiality. Tim Edensor highlights the danger of eradicating such evocative urban sites through policies that privilege homogeneous new developments. It is precisely their fragmentary nature and lack of fixed meaning that render ruins deeply meaningful. They blur boundaries between rural and urban, past and present and are intimately tied to memory, desire and a sense of place. Stunningly illustrated throughout, this book celebrates industrial ruins and reveals what they can tell us about ourselves and our past.
Introduction * The Contemporary Uses of Industrial Ruins * Using Ruined Space * Homemaking * Adventure Playgrounds * Mundane Leisure Spaces and Exemplary Sites * Artspace * Representing Ruin * Nature Reserves * Conclusion * Ruins and the Disordering of Space * Spatial Ordering Ordering and Disordering * Ruins and Their Phantom Networks * The Aesthetics of Ruins * Performance and Sensation in Ruined Space * Conclusion * Materiality in the Ruin: Waste, Excess and Sensuality * Wasted Spaces and Things * Material Excess and the Recontextualisation of Objects * The Affordances of Ruined Things * Conclusion * The Spaces of Memory and the Ghosts of Dereliction * The Multiple Temporalities of Ruins * Theorising Memory * The Allegorical Resonances of Ruins * Ruins and Involuntary Memories * The Ghosts of Ruins * Conclusion
Tim Edensor is Senior Lecturer in Human Geography, Manchester Metropolitan University. He is the author of National Identity, PopullS7