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Collected Poems (p.S.) [Paperback]

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  • Category: Books (Poetry)
  • Author:  Edna St. Vincent Millay
  • Author:  Edna St. Vincent Millay
  • ISBN-10:  0062015273
  • ISBN-10:  0062015273
  • ISBN-13:  9780062015273
  • ISBN-13:  9780062015273
  • Publisher:  Harper Perennial Modern Classics
  • Publisher:  Harper Perennial Modern Classics
  • Pages:  816
  • Pages:  816
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Jun-2011
  • Pub Date:  01-Jun-2011
  • SKU:  0062015273-11-MING
  • SKU:  0062015273-11-MING
  • Item ID: 100004060
  • List Price: $22.99
  • Seller: ShopSpell
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  • Delivery by: Nov 27 to Nov 29
  • Notes: Brand New Book. Order Now.

My candle burns at both ends; It will not last the night; But ah, my foes, and oh, my friends — It gives a lovely light!
“First Fig” fromA Few Figs from Thistles(1920)

The 1956 Collected Poems of Edna St. Vincent Millay finds new life in this beautiful edition from Harper Perennial Modern Classics. Alongside Robert Frost, T.S. Eliot, Marianne Moore, and E. E. Cummings, Millay remains among the most celebrated poets of the early twentieth century for her uniquely lyrical explorations of love, individuality, and artistic expression. This invaluable compendium of her work is not only an essential addition to any collection of the world’s most moving and memorable poetry but an unprecedented look into the life of Millay. An extensive P.S. section includes personal letters, never-before-seen photographs, information about Millay’s homestead at Steepletop, and an original essay by leading Millay scholar Holly Peppe.

Edna St. Vincent Millay (1892-1950), winner in 1923 of the second annual Pulitzer Prize for Poetry, was a daring, versatile writer whose work includes plays, essays, short stories, songs, and the libretto to an opera that premiered at New York's Metropolitan Opera House to rave reviews.

Millay infused new life into traditional poetic forms, bringing new hope to a generation of youth disillusioned by the political and social upheaval of the First World War. She ventured fearlessly beyond familiar poetic subjects to tackle political injustice, social discrimination, and women's sexuality in her poems and prose. In the 1920s and '30s, Millay was considered a spokesperson for personal freedom in America, particularly for women, and we turn to her lines to illuminate the social history of the period and the Bohemian lifestyle she and her friends enjoyed.

Yet Millay's poetry is still decisively modern in its message, and it continues to resonate with readers l3Õ

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