Ottorino Respighi (1879-1936): An Annotated Bibliography [Hardcover]

Although Ottorino Respighi is one of the most performed Italian composers since Puccini, relatively little critical attention has been paid to him or his music, perhaps because of his association with Italian fascism. In this annotated bibliography, Barrow...has attempted to document all printed references to Respighi and his compostions. Entries include basic publishing information and short descriptions of contents. Also included is a discography containing references to individual reviews.Recommended.The bibliography is well set out and quotes author, title and other references, with a summary, in English, ranging from a few words to more than a dozen lines giving the gist of the argument....There are several helpful indexes guiding the user to the entries in the main body of the text.Ottorino Respighi (1879-1936): An Annotated Bibliography provides documentation and annotation of all of this great composer's articles, books, theses, and dissertations with references to Respighi and his music published during the last century throughout the world. Lee G. Barrow provides a comprehensive general index as well as both a discography and an index of Respighi's compositions.Ottorino Respighi stands alongside Giacomo Puccini and Antonio Vivaldi as one of the best known and most performed Italian composers. Yet, compared to that of other composers of Respighi's stature, relatively little has been written about the man and his music. This work provides documentation and annotation of all of this great composer's articles, books, theses, and dissertations with references to Respighi and his music published during the last century throughout the world. Barrow provides a comprehensive general index as well as both a discography and an index of Respighi's compositions. Despite the popularity of his two most famous works Fontane di Roma (Fountains of Rome) and Pini di Roma (Pines of Rome) Respighi has been largely ignored and even criticized by scholars and critics. Only recel£&