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A moving attempt to trace the connections between Kosinski's wartime struggles and postwar fictions. New Yorker
Jerzyis a novel with a light touch that's still capable of lifting heavy subjects. Charyn knows what he wants to do and knows how to do it. . . . [He] show[s] that all forms of power are pretty much alike, or at least connectedHollywood, Capitol Hill, Kensington Palace, the Kremlin. Because Kosinski is a figure who proves (if we still need to learn it) that the craziness of American life may have more in common with the craziness of Russia and Europe than we like to think. New York Times Book Review(Editors' Choice)
Jerzy Kosinski was a great enigma of post-World War II literature. When he exploded onto the American literary scene in 1965 with his best-selling novelThe Painted Bird, he was revered as a Holocaust survivor and refugee from the world hidden behind the Soviet Iron Curtain. He won major literary awards, befriended actor Peter Sellers (who appeared in the screen adaptation of his novelBeing There), and was a guest on talk shows and at the Oscars. But soon the facade began to crack, and behind the public persona emerged a ruthless social climber, sexual libertine, and pathological liar who may have plagiarized his greatest works.
Jerome Charyn lends his unmistakable style to this most American story of personal disintegration, told through the voices of multiple narratorsa homicidal actor, a dominatrix, and Joseph Stalin's daughterwho each provide insights into the shifting facets of Kosinski's personality. The story unfolds like a Russian nesting doll, eventually revealing the lost child beneath layers of trauma, while touching on the nature of authenticity, the atrocities of WWII, the allure of sadomasochism, and the fickleness of celebrity.
Jerome Charynis the author of, most recently,A Loaded Gun: Emily Dickinson for thl3;
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