Margaret the Firstdramatizes the life of Margaret Cavendish, the shy, gifted, and wildly unconventional 17th-century Duchess. The eccentric Margaret wrote and published volumes of poems, philosophy, feminist plays, and utopian science fiction at a time when being a writer” was not an option open to women. As one of the Queen’s attendants and the daughter of prominent Royalists, she was exiled to France when King Charles I was overthrown. As the English Civil War raged on, Margaret met and married William Cavendish, who encouraged her writing and her desire for a career. After the War, her work earned her both fame and infamy in England: at the dawn of daily newspapers, she was Mad Madge,” an original tabloid celebrity. Yet Margaret was also the first woman to be invited to the Royal Society of Londona mainstay of the Scientific Revolutionand the last for another two hundred years.
Margaret the Firstis very much a contemporary novel set in the past. Written with lucid precision and sharp cuts through narrative time, it is a gorgeous and wholly new approach to imagining the life of a historical woman.
Praise forMargaret the First:
The duchess herself would be delighted at her resurrection inMargaret the First. . . . Dutton expertly captures the pathos of a woman whose happiness is furrowed with the anxiety of underacknowledgment. . . . [She] surprisingly and delightfully offers not just a remarkable duchess struggling in her duke's world but also an intriguing dissection of an unusually bountiful partnership of (almost) equals.” Katharine Grant,The New York Times Book Review
This slender but dense imagining of the life of Margaret Cavendish, a pioneering 17th-century writer and wife of the aristocrat William Cavendish, could be classified as a more elliptical cousin of Hilary Mantel's Thomas Cromwell novels. . . . Ms. DuttlW