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In our chaotic world of co-opted imagery, does art still have power?
A fog of images andinformation permeates the world nowadays: from advertising, television, radio, and film to the glut produced by the new economy and the rise of social media . . . where even our friends suddenly seem to be selling us the ultimate product: themselves.
Here, Nato Thompson—one of the country’s most celebrated young curators and critics—investigates what this deluge means for those dedicated to socially engaged art and activism. How can anyone find a voice and make change in a world flooded with such pseudo-art? How are we supposed to discern what’s true in the product emanating from the ceaseless machine of consumer capitalism, a machine that appropriates from art history, and now from the methods of grassroots political organizing andevensocial networking?
Thompson’s invigorating answers to those questions highlights the work of some of the most innovative and interesting artists and activists working today, as well as institutions that empower their communities to see power and reimagine it. From cooperative housing to anarchist infoshops to alternative art venues,Seeing Powerreveals ways that art today can and does inspire innovation and dramatic transformation . . . perhaps as never before.Praise forSeeing Power
“Like an updated version of John Berger’s groundbreakingWays of Seeing, Nato Thompson’sSeeing Powerdelivers a smart, accessible introduction to the prevailing artistic predicaments of our time. Written by one of our leading public intellectuals, it covers a wide range of key issues from the cultural politics of Occupy Wall Street; to the use and abuse of accumulated social capital; to the perennial antagonism between sophisticated cultural ambiguity and didactic, artistic impact.Seeing Poweris a twenty-first-centuló"
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