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Winner of the Hemingway Foundation/PEN Award, this is one of the defining books of the 1970s, an experimental novel about a young journalist trying to navigate life in America.
WhenSpeedboatburst on the scene in the late ’70s it was like nothing readers had encountered before. It seemed to disregard the rules of the novel, but it wore its unconventionality with ease. Reading it was a pleasure of a new, unexpected kind. Above all, there was its voice, ambivalent, curious, wry, the voice of Jen Fain, a journalist negotiating the fraught landscape of contemporary urban America. Party guests, taxi drivers, brownstone dwellers, professors, journalists, presidents, and debutantes fill these dispatches from the world as Jen finds it.
A touchstone over the years for writers as different as David Foster Wallace and Elizabeth Hardwick,Speedboatreturns to enthrall a new generation of readers.“Ms. Adler’s writing has turned out to be prescient and quietly influential, and her debut novel cast a long shadow on what I consider to be the strongest works of fiction published this year.Speedboatdoes not prescribe to any novelistic convention—namely, plot (linear or not, it does not have one to speak of)—and yet it distills the novel to its most basic necessities. It is a series of disjointed paragraphs, each a kind of novel in itself, in which every sentence has the urgency of a mortal wound.” —Michael Miller,The New York Observer
“…Renata Adler’s ahead-of-its-time novelSpeedboathas gone from cult favorite to undisputed classic.” —The Fiction Advocate
“This novel is a semi-plotless investigation of contemporary life, both actual and intellectual, in which every sentence gleams and winks and lifts boulders. It is vital and dazzling and will never, never go out of style.lSk
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