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Why is TV writing different from any other kind of writing? How will writing a spec script open doors? What do I have to do to get a job writing for TV? Writing for television is a business. And, like any business, there are proven strategies for success. In this unique hands-on guide, television writer and producer Ellen Sandler shares the trade secrets she learned while writing for hit shows likeEverybody Loves RaymondandCoach. She offers concrete advice on everything from finding a story to getting hired on a current series.
Filled with easy-to-implement exercises and practical wisdom, this ingenious how-to handbook outlines the steps for becoming a professional TV writer, starting with a winning script. Sandler explains the difference between “selling” and “telling,” form and formula, theme and plot.
Discover:
• A technique for breaking down a show style so you’re as close to being in the writing room as you can get without actually having a job there
• The 3 elements for that essential Concept Line that you must have
in order to create a story with passion and consequence
• Mining the 7 Deadly Sins for fresh and original story lines
• Sample scripts from hit shows
• In-depth graphs, script breakdown charts, vital checkpoints
along the way, and much, much more!Ellen Sandler has over twenty years of experience in the TV writing business. She was Co-Executive Producer and writer on the Emmy-winning hit seriesEverybody Loves Raymond, and has written for over 25 prime-time network television series, includingTaxi, Kate and Allie,andCoach. She is a highly-regarded script consultant, and in addition to her Television Writing workshops in LA and NYC, is a frequent featured speaker at schools and universities across the country.The Spec Script
No one (I hope) watches television all the time, but everyone watches it sometimes. Teló:
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