What Does a House Want?affirms Gary Geddess place as one of the premier Canadian poets of his generation. Equally at home with the lyric and the long poem, Geddes brings his deadly accuracy in language and form and his no-holds-barred style to bear on multinationals, Israeli-Palestinian violence, the guilt of Leon Trotsky, P.O.W.s, assassins, mad-bombers, Chinas bloody Emperor Qin Shi Huang, and the reputation of Ezra Pound. Sandra Lee Scheuer, a lyric on the Kent State killings, has been described as the kind of poem most poets wait a lifetime for; andThe Terracotta Army, an award-winning sequence on politics and art, insists on the marriage of story and song, embracing narrative, yet achieving a rare and luminous lyric intensity.
What Does a House Want?is a tongue in the ear and a red-hot needle to the conscience, full of poems in Gary Geddess brilliantly polished, cinematographic, white-knuckled style (Montreal Gazette).
It comes as a relief to read work by a poet who appears to be at least as interested in the world as he is in himself. Here, we are happy to be conducted by Gary Geddes out of the glass dome of the ego and into a wider, more capacious world of culture, history, and even erudition.
Billy Collins
The poems in Gary Geddess
What Does a House Want?have weight not often found in contemporary poetry, partly because they range far and wide, are not about one person, family, continent, or even era. They are about the world, about us in that world. They are fanciful, playful, sad, intense, frightening, and authentic, often all those at once. Mostly, though, Geddess poems are true, each and every one.
Mary Troy, author ofBeauties
. . . a deadly accuracy in language and form.
Eli Mandel
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Sandra Lee Scheuer is the kind of poem most poets wait a lifetime for.
Al Purdy
Gary Geddes has written and edited more ló&
![What Does A House Want?: Selected Poems [Paperback]](/itemImage/2/0/8/0/2_178644.jpg)