Nine years (ahem...) in the making, award-winning Kevin Connolly’s new collection extends its author’s investigation of identity, authority, intention, and authenticity. What is a public poetry? In an age of tweets and trolls, what should it even try to be? Through revision, redaction, ventriloquism, homage, self-sabotage, and outright plunder, the poems in Connolly’sXiphoid Processinterrogate the alleged futility and alleged insight of mid-life. Are we who we are simply because we’d otherwise be nothing? Or are we (more hopefully) something parked, for a time, in time, trying to make something useful out of the experience? Walt Whitman, Tom Petty, Alec Baldwin, Doug Stanhope, Journey, Judd Nelson, Billy Ripken, Johnny Weissmuller, Don Felder, Lindsay Lohan, Shiprock, NM, the police blotter at Point Reyes Station, CA and the moons of Saturn are all poised to make their case in the poet’s latest deliberations.
Connolly's poetic flights are short, beautiful and speak back to the darkness
The Globe and MailKevin Connolly’s previous collections includeAsphalt Cigar(finalist, Gerald Lampert Award),Drift(winner, Trillium Poetry Prize), andRevolver(finalist, Griffin Poetry Prize, Trillium Book Award). He teaches poetry in the MFA program at the University of Guelph-Humber and has been poetry faculty at the Banff Centre’s May Writing Studio. Connolly was poetry editor at Toronto’s Coach House Books from 20082013, and currently selects and edits poetry for McClelland & Stewart.
Praise for Kevin Connolly anddrift:
Whitman established his individuality by incorporating multitudes. Connolly, on the other hand, lives in a world where it’s nearly impossible to be an individual. Everyone represents everyone else everything reflects everything, every day another building of mirrors goes up and everl#h