Defending National Treasuresexplores the fate of art and cultural heritage during the Nazi occupation of France. The French cultural patrimony was a crucial locus of power struggles between German and French leaders and among influential figures in each country. Karlsgodt examines the preservation policy that the Vichy regime enacted in an assertion of sovereignty over French art museums, historic monuments, and archeological sites. The limits to this sovereignty are apparent from German appropriations of public statues, Jewish-owned art collections, and key Germanic works of art from French museums. A final chapter traces the lasting impact of the French wartime reforms on preservation policy.
InDefending National Treasures, Karlsgodt introduces the concept ofpatrimaniato reveal examples of opportunism in art preservation. During the war, French officials sought to acquire coveted artwork from Jewish collections for the Louvre and other museums; in the early postwar years, they established a complicated guardianship over unclaimed art recovered from Germany. A cautionary tale for our own times,Defending National Treasuresexamines the ethical dimensions of museum acquisitions in the ongoing noble quest to preserve great works of art.
Elizabeth Campbell Karlsgodt is Assistant Professor of History at the University of Denver. Campbell Karlsgodt does a fine job with the historiography of Vichy, offering concise summaries of a rich literature and providing important information in a succinct manner. She also has a knack for explicating evocative moments. . . This is a cogently argued, well-researched, and elegant book. . . Campbell Karlsgodt has made an important addition to this burgeoning literature. National Treasures explores the fate of French art and heritage during the Nazi occupation of France, revealing the roots of contemporary cultural policy in the Vichy era and exposing a hidden convergence of resistance and collabolÃ#