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The Art Of Richard Long (sculptors) [Paperback]

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  • Category: Books (Art)
  • Author:  William Malpas
  • Author:  William Malpas
  • ISBN-10:  1861713282
  • ISBN-10:  1861713282
  • ISBN-13:  9781861713285
  • ISBN-13:  9781861713285
  • Publisher:  Crescent Moon Publishing
  • Publisher:  Crescent Moon Publishing
  • Pages:  416
  • Pages:  416
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Jun-2011
  • Pub Date:  01-Jun-2011
  • SKU:  1861713282-11-MPOD
  • SKU:  1861713282-11-MPOD
  • Item ID: 100268912
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Dec 29 to Dec 31
  • Notes: Brand New Book. Order Now.
THE ART OF RICHARD LONG Revised and updated, with new illustrations The central fact and act of Richard Long's art is walking. His work is founded on the art of walking, the act of walking, the actuality of walking, and on walking as art, as act, as experience. His walks become 'artwalks', artwalks which become artworks. Richard Long is a British land artist and sculptor who works with and in the natural world, but also with and within the highly sophisticated, artificial and humanmade world of art and culture. 'I too wanted to make nature the subject of my work,' Long explained of his early work, 'but in new ways. I started working outside using natural materials like grass and water, and this evolved into the idea of making a sculpture by walking'. Richard Long is sometimes termed a Romantic sculptor, and part of this book relates his art to British Romanticism, as found in the literature of William Wordsworth, Percy Bysshe Shelley, John Keats and others, and the British landscape tradition, as in J.M.W. Turner, John Constable, Thomas Girtin and other landscape painters. Aspects of British Romantic culture in 20th century and 21st century art also considered (such as the New Ruralists, New Romantics, New Arcadians and Neo-Romantics). Malpas also explore some of the aspects of Romantic culture in Europe as well as Britain. In the course of this book William Malpas references many of Richard Longs contemporary British sculptors (Tony Cragg, Bill Woodrow, David Nash, Barry Flanagan, Alison Wilding, Shirazeh Houshiary, Hamish Fulton, Stephen Cox, Philip King, Anthony Caro, Tim Head, William Tucker, Anish Kapoor, Anthony Gormley, David Mach, and Gilbert & George). Further chapters include: one on women, feminist, body art and performance sculptors, as a comparison with Richard Longs art, which has a strong component of performance (even if its nearly always private). Also, a consideration of gendered sculpture and art. The chapter on Minimal, ConceptlÓg
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