The Cambridge Companion to Tentieth-Century Opera [Paperback]

A collection of specially commissioned essays investigating the extraordinary diversity of twentieth-century opera.This Companion celebrates the extraordinary diversity of operatic achievements in the twentieth century by bringing together the work of scholars from both sides of the Atlantic, alongside thought-provoking commentaries on the contemporary operatic scene. Beginning with a survey of operatic legacies and a discussion of how these impinged on later developments, the volume offers treatments of regional styles and aesthetic trends, and essays on opera and film, popular operetta and the musical, avant-garde music theatre and minimalism, market forces on opera production, and changing compositional styles and production trends.This Companion celebrates the extraordinary diversity of operatic achievements in the twentieth century by bringing together the work of scholars from both sides of the Atlantic, alongside thought-provoking commentaries on the contemporary operatic scene. Beginning with a survey of operatic legacies and a discussion of how these impinged on later developments, the volume offers treatments of regional styles and aesthetic trends, and essays on opera and film, popular operetta and the musical, avant-garde music theatre and minimalism, market forces on opera production, and changing compositional styles and production trends.Celebrating the extraordinary diversity of operatic achievements in the twentieth century, this Companion brings together the work of scholars from both sides of the Atlantic. Beginning with a survey of operatic legacies, the volume analyzes regional styles and aesthetic trends, and features essays on opera and film, popular operetta and the musical, avant-garde music theatre and minimalism, market forces, changing styles and production trends.A chronology of twentieth-century opera Nigel Simeone; Part I. Legacies: 1. Opera in transition Arnold Whittall; 2. Wagner and beyond John Deathridge; 3. Puccini and the Italianló<