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Sterba, a film professor at College of St. Benedict/St. Johns University, compares the careers of J.J. Abrams and Joss Whedon to muted effect. The goal of the comparison is supposedly to determine who will be the next Spielberg, but Sterba admits almost immediately that this competition is simply meant to be a fun way to experience both mens oeuvres. As a collection of anecdotes about the directors early careers, the book works, offering insights into Whedon and Abramss early experiences on, respectively, the sitcom Roseanne and the film Regarding Henry.... Sterba says her work is ... for fans ... [and they] will clearly feel the most strongly about it.Film professor Sterba pits two of the biggest entertainment auteurs working today against each other in this critical examination of their work. While Sterba acknowledges at the outset that the 'competition' for 'Most Royal Geek Leader' is really just a conceit to compare their work, she grades them in each chapter on merits such as creativity, profitability, and popularity. Sterba sets her book up chronologically, so she compares their early careers in script doctoring before moving on to the feminist shows that put them on the map, Buffy the Vampire Slayer for Whedon, Felicity and Alias for Abrams. The depth and sophistication of Buffy puts Whedon ahead, but things even out a little more as they move into later TV projects, including Angel, Firefly, and Dollhouse for Whedon and Lost and Fringe for Abrams, and their respective blockbuster movie franchise contributions, notably Whedons The Avengers for Marvel and Abrams Star Wars: The Force Awakens. Sterba even provides a chapter that contemplates which is Spielbergs heir apparent. A smart, fun analysis for film fans.By comparing business acumen, creativity, popularity, and other metrics, Sterba (Reel Photos: Balancing Art and Truth in Contemporary Film) pits TV and film directors J.J. Abrams and Joss Whedon against each other. 'Media Master' isn't the only titl“G
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