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The true story of one of the twentieth century's most audacious art frauds
Filled with extraordinary characters and told at breakneck speed,Provenancereads like a well-plotted thriller. But this is most certainly not fiction. It is the astonishing narrative of one of the most far-reaching and elaborate cons in the history of art forgery. Stretching from London to Paris to New York, investigative reporters Laney Salisbury and Aly Sujo recount the tale of infamous con man and unforgettable villain John Drewe and his accomplice, the affable artist John Myatt. Together they exploited the archives of British art institutions to irrevocably legitimize the hundreds of pieces they forged, many of which are still considered genuine and hang in prominent museums and private collections today.Laney Salisbury, a graduate of the Columbia University Graduate School of Journalism, has reported from Africa, the Middle East, and New York. She lives in Brooklyn, New York.
Aly Sujowas an investigative reporter, part of a husband-and-wife team with Laney Salisbury. He covered arts and entertainment for Reuters, the Associated Press, and the New YorkDaily News. He died in 2008.The grand moment in the reception finally arrived. Two white-gloved Tate conservators entered the room with a pair of paintings, each about five feet tall. There was a moment of respectful silence. Myatt was stunned.
“Ahh, the Bissières, how lovely,”someone in the room whispered.
Myatt cringed as the group praised the paintings and Drewe’s taste and generosity. The two works were carried around the room, and long before they reached Myatt, he recognized the faint but acrid smell of the varnish he had sprayed on them when he’d finished them a few weeks earlier.
Myatt gripped his chair. If they so much as touched the canvas with a fine brush, the paint would give way and the game would be up. A little further investigative l“n
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