The Symbolist art movement of the late nineteenth century forms an important bridge between Impressionism and Modernism. But because Symbolism, more than the two movements it links, emphasizes ideas over objects and events, it has suffered from vague and conflicting definitions. InSymbolist Art in Context,Michelle Facos offers a clearly written, comprehensive, and accessible description of this challenging subject. Reaching back into Romanticism for Symbolism's origins, Facos argues that Symbolism enabled artists (including Munch and Gauguin) to confront an increasingly uncertain and complex worldone to which pessimists responded with themes of decadence and degeneration and optimists with idealism and reform.
Michelle Facosis Associate Professor of Art History at Indiana University, Bloomington. She is the author ofNationalism and the Nordic Imagination: Swedish Painting in the 1890s(UC Press) and coedited (with Sharon Hirsch)Art and the National Identity at the Turn of the Century.
Acknowledgments
Introduction: What Is Symbolist Art?
1 Beginnings
2 Precursors
3 Decadence and Degeneration
4 Idealism, Religion, and Reform
5 Contested Gender
6 National Romanticism
7 Promoting Symbolist Art
8 Symbolist Currents
in the Twentieth Century
Notes
Select Bibliography
List of Illustrations
Index
The book contains a great deal of useful information and will prove a valuable textbook.
This book offers a straightforward definition of Symbolism as the starting point for investigating a complex and imprecisely understood art movement.