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With this book, Dietz continues his decade-by-decade encyclopedic treatment of Broadway musicals, which started with The Complete Book of 1940s Broadway Musicals. In the present volume, he underscores the decline of the medium. The 1990s brought in the era of what he calls the new Broadway, with family friendly and other feel-good musicals dominating traditional adult-oriented fare. The 203 featured revues and musicals that opened from January 1, 1990, to December 31, 1999 (compare 271 openings in the 1960s) cover the gamut of possibilities: 32 featured new music, 12 had preexisting scores, 32 were imports, 57 were revivals, and 16 closed pre-Broadway. As in the previous volumes, Dietz provides plot summaries, casts and crews, run dates, critical commentary, musical numbers and performers, source material, and awards and nominations, among other data. The volume concludes with 11 useful appendixes. Dietz does not hold back his own opinionpretentious and politically correct crop up oftenand though readers may find themselves disagreeing with Dietz's analyses, his diatribes complement the narratives and make for an enjoyable read.Summing Up: Highly recommended. Lower-division undergraduates through professionals; general readers.In The Complete Book of 1990s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1990s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues. The 1990s saw major changes in the Broadway musical, most notably: the so-called Disneyfication of shows, with the debuts of long-running hits like Beauty and the Beast and The Lion King.Musicals of the 1990s felt the impact of key developments that forever changed the landscape of Broadway. While the onslaught of British imports slowed down, the so-called Disneyfication of Broadway began, a trend that continues today. Beauty and the Beast and The Lion King became long-rlãâ
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