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NOW A MAJOR MOTION PICTURE
Stephen Fry's charmingly misanthropic send-up of the English mystery features an unlikely but necessary hero: Ted Wallace, AKA the Hippopotamus, a failed and disolute poet, recently fired theater critic, and muckraker of modern irrationality, whose war against the unreasonable finds sudden purpose investigating a series of supposed miracles at a mansion in the country.
I’ve suffered for my art, now it’s your turn.” So begins the tale of Ted Wallace, unaffectionately known as the Hippopotamus. Failed poet, failed theater critic, failed father and husband, Ted is a shameless womanizer, drinks too much, and is at odds in his cranky but maddeningly logical way with most of modern life. Fired from his newspaper, Ted seeks a few months’ repose and free liquor at Swafford Hall, the country mansion of his old friend Michael Logan. This world of boozy dinners, hunting parties, and furtive liaisons has recently been turned on its head by miracles, healings, and phenomena beyond Ted’s comprehension. As the mysteries deepen,The Hippopotamusbuilds into “a deliciously wicked and amusing little fable” (The New York Times).Praise forThe Hippopotamus
The Hippopotamus is animated by an antic sense of comedy and features a willfully feckless hero . . . Described in uproarious terms that suggest Wodehouse crossed with Waugh, Swafford emerges as a parody of every upper-class country house ever depicted in an English novel.
—The New York Times
The literary godchild of British comic novelist Kingsley Amis . . . Perfectly funny.
—USA Today
[The Hippopotamus's] virtues are cynicism and ill will, directed energetically at all that is trendy and modern, and embodied in the blubbery, whiskified carcass of an out-of-date poet named Ted Wallace . . . He rages entertailc›
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