An analysis of the way postmodern novels respond to changes in the experience of time.In Chronoschisms Ursula Heisse explores the way developments in communication and information technology have led to the emergence of a new culture of time in Western socities. Drawing on theories of postmodernism and narratology, she shows how postmodern narratives break up the concept of plot into a spectrum of contradictory story lines allowing new conceptions of history and posthistory to emerge. This wideranging study offers new readings of postmodernist theory and fresh insight into the often vexed relationship between literature and science.In Chronoschisms Ursula Heisse explores the way developments in communication and information technology have led to the emergence of a new culture of time in Western socities. Drawing on theories of postmodernism and narratology, she shows how postmodern narratives break up the concept of plot into a spectrum of contradictory story lines allowing new conceptions of history and posthistory to emerge. This wideranging study offers new readings of postmodernist theory and fresh insight into the often vexed relationship between literature and science.In Chronoschisms Ursula Heise explores the way developments in communication and information technology have led to the emergence of a new culture of time in Western societies. Drawing on theories of postmodernism and narratology, she shows how postmodern narratives break up the concept of plot into a spectrum of contradictory story lines that allow new conceptions of history and posthistory to emerge. This wide-ranging study offers new readings of postmodernist theory and fresh insight into the often vexing relationship between literature and science.Introduction; Part I. Chronoschisms: 1. From soft clocks to hardware: narrative and the postmodern experience of time; Part II. Time Forks and Time Loops: 2. Number, chance and narrative: Julio Cort?zar's Rayuela; 3. 'Repetitions, contradil³»