What role does loveof cinema, of cinema studies, of teaching and learningplay in teaching film?For the Love of Cinemabrings together a wide range of film scholars to explore the relationship between cinephilia and pedagogy. All of them ask whether cine-love can inform the serious study of cinema. Chapter by chapter, writers approach this question from various perspectives: some draw on aspects of students' love of cinema as a starting point for rethinking familiar films or generating new kinds of analyses about the medium itself; others reflect on how their own cinephilia informs the way they teach cinema; and still others offer new ways of writing (both verbally and audiovisually) with a love of cinema in the age of new media. Together, they form a collection that is as much a guide for teaching cinephilia as it is an energetic dialogue about the ways that cinephilia and pedagogy enliven and rejuvenate one another.
For the Love of Cinema is an innovative collection that brings important new discussion to academic film scholarship on several fronts. . . . This volume is not just another manual of how to teach film studies (there are plenty of those), but how to bring a certain attitude or demeanor to the practice for the purpose of stimulating student engagement and enrichment. The collection focuses on the act of teaching, both conceptually and practically, which is something that no introductory text on teaching film studies that I know of has adequately addressed.
Acknowledgments
Introduction: Love and Teaching, Love and Film / Rashna Wadia Richards and David T. Johnson
Part 1: Theorizing Cinephilia and Pedagogy
1. Cinephilia as a Method / Robert B. Ray
2. Passionate Attachments / Amelie Hastie
3. Cinephilia and Cineliteracy in the Classroom / Thomas Leitch
4. Nearing the Heart of a Film: Toward a Cinephilic Pedagogy / Tracy Cox-Stanton
5. Movies in the Middle: Cinephilia as Lines of Becoming / Kalling Heck
6. AudiovlC$