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This book rethinks the origins and nature of magical realism and provides detailed readings of key novels by Asturias, Carpentier, Garc?a M?rquez, Rushdie, and Okri. Identifying two different strands of the mode, one characterized by faith, the other by irreverence, Warnes makes available a new vocabulary for the discussion of magical realism.Preface Introduction: Re-thinking Magical Realism Magical Realism as Postcolonial Romance Faith, Idealism and Irreverence in Asturias, Borges and Carpentier Magical Realism and Defamiliarisation in Gabriel Garc?a M?rquez's One Hundred Years of Solitude Migrancy and Metamorphosis in Salman Rushdie's The Satanic Verses The African World View in Ben Okri's The Famished Road Conclusion Bibliography Index
'Clearly in touch with the central voices in this dialogue...Warnes achieves the task for which he aims. In the process, he composes a text that will be useful to both novice and experienced critics of magical realism, as well as scholars of postcolonial and twentieth-century literature more broadly' - Kim Sasser, University of Edniburgh, UK, Interventions
'If you are planning (or already deliver) a final-year undergraduate or postgraduate course dedicated to magical realism be it within postcolonial studies, comparative literature, or Hispanic (Latin American) studies this book can provide a complete guide for the course...this is is a fresh evaluation of a well-scrutinized field, demonstrating that the loose genre of magical realism, despite having been approached from all angles and savaged in many a poorly researched undergraduate essay, still bears valuable
substance for an understanding of the literature.' -William Rowlandson, University of Kent, UK, Modern Language Review
'This book is a good attempt to pull together the various and often contradictory strands of writing that can be categorized as magical realism and to see similarities amongst them, as well as wel)
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