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Modest Musorgsky and Boris Godunov Myths, Realities, Reconsiderations [Paperback]

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  • Category: Books (Music)
  • Author:  Emerson, Caryl, Oldani, Robert William
  • Author:  Emerson, Caryl, Oldani, Robert William
  • ISBN-10:  0521369762
  • ISBN-10:  0521369762
  • ISBN-13:  9780521369763
  • ISBN-13:  9780521369763
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  356
  • Pages:  356
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2006
  • Pub Date:  01-May-2006
  • SKU:  0521369762-11-MPOD
  • SKU:  0521369762-11-MPOD
  • Item ID: 100835620
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Jan 26 to Jan 28
  • Notes: Brand New Book. Order Now.
Caryl Emerson and Robert Oldani take a comprehensive look at the most famous Russian opera, Modest Musorgsky's Boris Godunov.Caryl Emerson (a literary specialist) and Robert William Oldani (a music historian) take a comprehensive look at the most famous Russian opera, Modest Musorgsky's Boris Godunov.Caryl Emerson (a literary specialist) and Robert William Oldani (a music historian) take a comprehensive look at the most famous Russian opera, Modest Musorgsky's Boris Godunov.Caryl Emerson, a literary specialist, and Robert William Oldani, a music historian, take a new and comprehensive look at the most famous Russian opera, Musorgsky's Boris Godunov. The result is both a historical study of a famous work and an interpretative piece of scholarship. The topics discussed include: the Boris Tale in history, the strange story of the opera's composition and revision, its first productions at home and abroad, and an in-depth musical analysis. In the process, several frequent errors in Musorgsky scholarship are clarified and corrected. The volume contains a selection of classic texts in criticism, numerous production photographs, a bibliography and discography.List of illustrations; List of tables; Preface and acknowledgments; Part I. Background: 1. Tsar Boris in history; 2. Musorgsky's literary sources, Karamzin and Pushkin; 3. Narrative and musical synopsis of the opera; 4. History of the composition, rejection, revision, and acceptance of Boris Godunov; 5. A tale of two productions - St. Petersburg (18741882), Paris (1908); Part II. Entr'acte: 6. Boris and the censor: documents; 7. The opera through the years: selected texts in criticism; Part III. Interpretation: 8. The Boris libretto as a formal, literary, and historical problem; 9. The music; 10. Boris Godunov during the jubilee decade: the 1980s and beyond; Discography; Bibliography; Index. Emerson and Oldani's portrait of Musorgsky as composer is broad, intelligent and convincing. The Russian Review ...a gllÃa
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